NE-HI w/ American Wrestlers + Lunar Vacation

Wednesday, January 11, 2017 — 9:00 pm

NE-HI w/ American Wrestlers + Lunar Vacation
The Drunken Unicorn
736 Ponce De Leon Ave NE Atlanta, GA 30306

Ticket Information

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Event Description

NE-HI w/ American Wrestlers + Lunar Vacation

Wednesday January 11
Drunken Unicorn
9pm | $10 | 18+
 
Born out of the backyards and basements of Chicago's DIY music scene, NE-HI's nostalgic-rock brings you back to a time that may have never existed. It may be the past. It may be the future. But, it is certainly a place where you feel younger, better looking, and you dance until you are soaked in sweat. A place where you know the best bands before your older brother and all the cool kids at school. The quartet's guitar-driven songwriting and distinct harmonies produce a sound that is both raw and relaxed, rough and humble. Formed to score a friend's film in the summer of 2013, the foursome–made up of Alex Otake, James Weir, Jason Balla and Mikey Wells–recognized the electricity between its four members and chose to continue making music. Since then, the foursome has toured the Midwest and East Coast, building a reputation as a promising young American band.
 
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Now based in Missouri, the Scotsman behind American Wrestlers has been on one hell of a journey. Born and raised in Glasgow, he then found his way to Manchester, where he recorded some demos under a different name and posted the songs online. It was then that his now-wife first got in touch, and after becoming enraptured with one another, he moved across the Atlantic to get married.
 
“I like to write real songs that survive all on their own,” he explains of the sound. “One human and one instrument. Just the human even.” Melodic and hazy, its ramshackle surface hides an attention to detail that leaves the ‘lo-fi’ tag dead in the water.
 
“The lo-fi thing was all unintentional,” he confirms. “This was me trying my hardest to keep all the different sounds and layers under control. Make the reverbs and chorus sound nice and get just the right amount of overdrive from the multi-track’s inputs, while at the same time trying to make sure I kept the natural sounds and feels of the real sources the music was coming from.”
 
Armed with little more than a TASCAM 8-track and “the cheapest pawn shop instruments [he] could afford,” the upcoming self-titled debut took shape in remote and rural America, and that comforting step away from the hustle and bustle is felt throughout.
 
First single sees ‘I Can Do No Wrong’ sees shimmery guitar-work draw upon that feeling of a Midwestern summer’s stifling heat. Driven along by a crackling beat, it’s a stripped back approach to garage-rock that focuses on melody and avoids the all-too-common desire to drench everything in layer-upon-layer of fuzz.
 
“The warbling in the chorus is me shaking the whole cassette after taking off the front of the tape tray,” he explains of his process. There’s a similar free-spiritedness throughout the record – on ‘There’s No One Crying Over Me Either’, the four-note piano refrain was a happy accident: “I was walking past a piano in a friends house and hit four notes at random, stopped and played them again a few times, then sang a melody, and it eventually became this song.”
 
“The last time I had a TASCAM 8-track I was fourteen,” he continues on the subject of the record’s playful and timeless nature. “The TASCAM was fitting because I was kinda trying to write the album I had always wanted to write since I first started playing music.” For the character behind American Wrestlers, then, it’s a lifelong ambition finally realised – for all us lucky enough to hear the fruits of his labour, it’s a wonderfully timeless record, and one that’s destined to inspire another generation of youngsters to pick up their own 8-track.
 
Now based in Missouri, the Scotsman behind American Wrestlers has been on one hell of a journey. Born and raised in Glasgow, he then found his way to Manchester, where he recorded some demos under a different name and posted the songs online. It was then that his now-wife first got in touch, and after becoming enraptured with one another, he moved across the Atlantic to get married.
 
“I like to write real songs that survive all on their own,” he explains of the sound. “One human and one instrument. Just the human even.” Melodic and hazy, its ramshackle surface hides an attention to detail that leaves the ‘lo-fi’ tag dead in the water.
 
“The lo-fi thing was all unintentional,” he confirms. “This was me trying my hardest to keep all the different sounds and layers under control. Make the reverbs and chorus sound nice and get just the right amount of overdrive from the multi-track’s inputs, while at the same time trying to make sure I kept the natural sounds and feels of the real sources the music was coming from.”
 
Armed with little more than a TASCAM 8-track and “the cheapest pawn shop instruments [he] could afford,” the upcoming self-titled debut took shape in remote and rural America, and that comforting step away from the hustle and bustle is felt throughout.
 
First single sees ‘I Can Do No Wrong’ sees shimmery guitar-work draw upon that feeling of a Midwestern summer’s stifling heat. Driven along by a crackling beat, it’s a stripped back approach to garage-rock that focuses on melody and avoids the all-too-common desire to drench everything in layer-upon-layer of fuzz.
 
“The warbling in the chorus is me shaking the whole cassette after taking off the front of the tape tray,” he explains of his process. There’s a similar free-spiritedness throughout the record – on ‘There’s No One Crying Over Me Either’, the four-note piano refrain was a happy accident: “I was walking past a piano in a friends house and hit four notes at random, stopped and played them again a few times, then sang a melody, and it eventually became this song.”
 
“The last time I had a TASCAM 8-track I was fourteen,” he continues on the subject of the record’s playful and timeless nature. “The TASCAM was fitting because I was kinda trying to write the album I had always wanted to write since I first started playing music.” For the character behind American Wrestlers, then, it’s a lifelong ambition finally realised – for all us lucky enough to hear the fruits of his labour, it’s a wonderfully timeless record, and one that’s destined to inspire another generation of youngsters to pick up their own 8-track.